
“My idol is a national treasure”: Fandom, idolization, and the multispecies ethnography of giant pandas
How animal celebrity, conservation labour, and fan devotion intersect at panda bases — including the curious afterlife of “fan-baby” pandas online.
The question.
What happens when an endangered species becomes a national symbol, a tourist attraction, a soft-power emblem, and an internet star — all at once? China's giant pandas occupy a unique position at the intersection of conservation biology, state ritual, and global popular culture. This project follows the everyday lives of pandas and the people around them: keepers, scientists, fans, photographers, livestreamers, and tourists. Drawing on multispecies ethnography and fandom theory, it asks how devotion travels — from the studbook to the screen, from the bamboo enclosure to the algorithmic feed, from the keeper's notebook to the fan's spreadsheet.
"The pandas are watching us watch them. And so, increasingly, are millions of fans."

What we're finding.
Findings forthcoming. See related publications below.
The project's fieldwork takes place across the cities mapped below.
Chengdu
Main field site for the multispecies panda project.
Guangzhou
Multi-project field site — pandas (Chimelong), livestream (wholesale markets), historical figures.
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